Sabrina Ho looks to Macau art fairs and auctions to diversify economic climate from casinos

As pressure grows on Macau to locate new causes of revenue, scion of casino dynasty imagines some other future for the other SAR
Sabrina Ho Chiu-yeng does what she can to assist Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun could possibly be better known for gracing society and entertainment pages, but in January she organised the initial Macau sales by China’s state-owned Poly Auction and also in November held her own annual hotel art fair, having already launched an exhibit in promoting the job of young art graduates in September.


“Macau is evolving,” she tells The Collector. “We don’t need to rely just on the gaming industry. We want more families ahead here for holidays, we would like to boost our cultural and artistic industries.”
This is the politically correct view for the daughter of an casino magnate. Macau influences cross hairs of Beijing’s war on corruption and capital outflow. The central government started urging the location to quit its addiction to the gaming sector, the taxes from which purchase most public expenditures, back in the boom years, in the event the “build it and they can come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers combined with a slowing economy have increased pressure to succeed to locate new revenues.
Fundamental change has been slow ahead. Five casinos have opened since 2012 and more are stored on the best way, including two from branches with the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Casino tycoon daughter‘s half-sister Pansy Ho Chiu-king.

So can be Sabrina’s cultural endeavours all just a little of soft advertising for the clan?
Well, China’s biggest ah is treat­ing her seriously, and hopes her youthful energy and family connections will help it get into a fresh and wealthy market where no international house includes a presence. In return, Ho says, she wants the auctions to assist attract tourists and maybe encourage the city’s 600,000 residents to produce really an interest in culture. Their bond, called Poly Auction Macau, is 51 percent belonging to Poly along with the rest by Ho’s company, Chiu Yeng Culture.
Ho spent my youth surrounded by art along with other collectables belonging to her parents but she actually is fairly new on the auctions business. After graduating with an arts degree from the University of Hong Kong, in 2013, she labored on the branding and marketing side with the family’s hotel and property businesses. “But I like art and i also asked Poly basically will work part time at their Hong Kong office, to find out about the auction world,” she says.
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