It is really an interesting undeniable fact that usually most favored subculture is cooked up by someone who seeks profit only, and then is fed with a hungry young crowd of fans. This isn’t forever the situation in Japan, though. The art is made for the art’s sake ‘s what comic market followers are probing for.
Yoshishiro Yonezawa, a novelist, critic as well as a passionate supporter of popular manga subculture, developed a concept of founding a company, a market which is to be open for all you non-professional manga artists who form their particular circles called doujinshis to generate manga mimic artwork and magazines (that are called doujinshis, too). The thought became popular as Comiket, the greatest comic market in the world, is held in Japan twice a year for several days in a row whenever in the winter months plus summer. There are far more than 35 thousand circles engaging as well as over fifty percent millions of attendees.
This is a space where freedom of expression is preached over a massive, and organizers never wanted so large a success of their creation. Before Comiket, the younger generation who studied in high school graduation or university, taken part in comic markets as amateurs, and ceased to join after graduation. However in mid-seventies this changed drastically. It came to be not just a hobby, but a lifetime passion, as much artists got appreciation and followers as a result of growing interest in doujinshi phenomenon. There are more than 2,000 doujinshi markets taking place in Japan each and every year, and Comiket is certainly the most famous one.
Currently the idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China and also Usa. The amount of doujinshi circles mushroomed as markets provided great opportunities to get a large numbers of amateur artists and mangakas (manga artists).
At the start the predominant a part of doujinshis creators were women, about eighty percent. Inside the 1980s more males became interested, and today the ratio appears to be favor female artists only slightly.
We conclude that doujinshi is really a visual cultural phenomenon that’s shaped mostly by youth, yet its meaning and consequences have global importance.
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