Band Promotion and Marketing – The way to Market Band and Get More Gigs

I figured about scripting this post on band promotion since i often hear new bands and struggling musicians wishing they were more paying gigs. Finding a paying gig is great, I mean… you may spend time and effort, energy as well as cash on getting the act together.. rehearsing, planing a trip to rehearsals and gigs (gas can be quite a pain in the event you travel by car), buying your gear, etc. But earning money gigs for brand spanking new acts can be quite difficult.


While I realize its great to have paid, I would not mean to express you should think of a band as a business. Some tips i am saying is, it might be practical to no less than have your costs covered.

Needless to say, that will depend on your main reasons why you’re in a band to begin with.

Some bands need to play; love playing; believe playing and having their music out there is the best compensation there is… and also the return of these investment in effort, money and time is that chance to wake up there and PLAY. There’s also other individuals who work towards a long-term goal like building their very own following and having their music across for them.

Reasons why it’s, virtually sums it.

But, in the event you desired to get paying gigs, below are a few actions.

1. Develop Your Product

Now and then I come across a client who struggles with promoting their products or services, and hang in many effort simply to get minimal results. The reason is, they haven’t managed to accurately develop, define and refine their product, which is the reason aggressively promoting something mediocre will forever yield mediocre results.

So what exactly is your products or services? This rock band, and your music. The true secret real how will you set yourself independent of the rest. What exactly is it you do that is different, or what is it you can do much better than all others?

“What would you like visitors to remember and As if you for?”

2. Define Your Music/Repertoire

Repertoire defines which kind of band you are. Additionally, it defines who your audience is. I believe writing and recording original materials are great because with your personal music you create a good thing that others would not have. It can be that final amount of a collaborative creative effort that band promotion BUT, does not guarantee success, since to your band being successfully with regard to your music, you would first must attract a crowd that will get to listen for and be thankful.

On the same note, as being a cover band doesn’t imply you cannot get paying gigs. There are tons of canopy bands that get paid well for small bar gigs or perhaps major events.

Exactly what it is dependant on will be the novelty from the band, and your draw. Novelty is that something about yourself that men and women will want to come see; and your draw will be the height and width of everyone else it is possible to gather at your gigs.

3. Market Yourself

You would need to sell yourself to those who you think would thank you for your band as well as what you are offering. You can find basically two types of people you need to target; there are those who you would like going to your gigs and appreciating your music, and also the people who find themselves in a position to hire you for gigs.

This could really be the classic “the chicken or egg scenario”, where you actually expand your audience and have more exposure since they can be playing more gigs, but to get additional gigs you’ve got to have invited or hired by people who may have a hand for making gigs happen.

However it need not be complicated. Simply do both concurrently.

Networking is the vital thing. The greater people you can meet, the more contacts you establish, the closer you can your goal.

4. Management / Representation

You must have a supervisor. A professional figure who you trust and trust to dedicate yourself nothing more than the success and well-being from the band.

A supervisor must be a tenacious businessman. He is a negotiator, understands marketing, and most importantly he believes within the product he is entrusted with. His primary goal is to sustain and develop further the product he manages.

Having a manager may have several benefits, and one of the items I see managers doing that bands that manage themselves cannot, is be objective. The manager sees a thing that individual members in a band usually do not see, this is also true when some members of this rock band develop egos that cloud their judgment. Members tend to get tunnel vision and can not respond well with people’s opinions that won’t be flattering, a supervisor knows if criticisms are valid and take these not emotionally but objectively.

A supervisor is both a member of the group and outsider; a member as he in concert with the group to achieve cause real progress. He is an outsider who is able to make rational decisions as well as be critical from the group if it fails to get results what their audience expects.

Musicians can sometimes be the most stubborn of people, and also the least receptive to criticism, and a trusted opinion from a professional figure might help this rock band attempt to better the product. Remember that the manager is especially a business person, anf the husband runs this rock band because it’s “profitable”… the more to promote a band, the more money it can make, the more money the manager makes as well.

Managers ought to be very aggressive and protracted, an associate of mine (a supervisor for any huge act) once explained a narrative about how she approached bar after bar simply to get denied whenever and it was given all kinds of reasons and excuses. She never gave up, and didn’t give up her band… today that band can be a major recording artist… and they’ve been big for a while now.
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